Immediately upon arrival:
• Sign out walkies, turned on and on the correct channel
• Help set up Craft Service
• Use cones, caution tape and barricades as needed to secure the location.
• Unload trucks:
• Set up Camera area as directed by AC
• Prepare wardrobe area. Make sure this a table in this area. Set up any equipment (i.e. racks, steamer, etc.) Get the electricians to put a work light and an electrical line in this area. Be prepared to help the wardrobe stylist load-in all the wardrobe.
• Unload props as needed.
• Prepare hair & make-up area. Make sure there is a table for the make-up kit and chairs for the actors. Get the electricians to put a work light and an electrical line in this area.
• Production into production office and plug in computers, battery chargers, etc.
• Set up for the Home Economists or any specialty department the specific job requires.
• Deliver anything else you picked up to the appropriate department
• Organize all expendables in one place (make sure crew members use expendables owned by the production company first)
• Set up Shooting Boards on a C-stand on set
• Put director’s chairs on set for the director and the script supervisor
• Put director’s chairs on set for “video village”
• Put out Butt Cans: 1000 empty film cans with sand or cat litter in them
• Put toilet paper, liquid soap, paper towels, and garbage bags into all usable bathrooms (including motorhomes)
• Distribute garbage bags to other areas
• Set up staging areas for extras
• Make sure all vehicles (including crew cars) display either parking permits or “crew vehicle” signs in their windows (see: Vehicles section)
• Double-check on Craft Service
• After everything is done, then it is OK to eat breakfast
All Day:
• At least one PA on set (that is, one plus the person doing slates...)
• Move pop-up tents as the sun moves
• Pick up litter and trash as you find it
• Double-check on Craft Service
• Check in with Production to see if we need anything
Camera Position Change:
• All PA’s should report to the First AD
• Immediately shift video village to its new position
• Move shooting boards and tall directors chairs
• Move camera cooler as needed
Before Lunch:
• Set up tables and chairs for lunch
• Put tablecloths on tables (tape down, if needed)
• Move coolers to lunch area
• Put out garbage bags in lunch area
• Check with Production to see if there is a plan for all the garbage
• Assign someone to watch the camera and any other high-security areas during lunch
• Change all walkie batteries at lunch time
After Lunch:
• Put away tables and chairs, clean up area (hold off if there might be an evening meal)
• Fill gas tanks of vehicles as needed
• Double-check on Craft Service
• Fill out your time cards and get your petty cash up-to-date
Before Camera Wrap:
• Get a jump on wrapping the truck. As you load returns, make sure all things going back to the same place are on the same truck.... LOAD FIRST IN, LAST OUT; LOAD NEATLY AND SAFELY.
After Camera Wrap:
• Keep walkies on through the entire wrap and the retrieve them and count them
• If required for next shoot day, designate one PA to charge camera batteries and walkie batteries - either left plugged in on set or taken home, charged and brought back
• Load Wardrobe, Props, Camera, Expendables, etc., onto trucks
• Load Production (but do not pester us, we’re going as fast as we can....)
• Police location for litter and get rid of garbage
• Do an idiot check
About the Author - LOVE THE PALMER
- Palmer Enfield
- Los Angeles • Philadelphia • New York, CA • PA • NY, United States
- This blog is written by Palmer Enfield. Palmer is a producer-director and the founder of RedMaiden (www.redmaiden.tv), a branded content, boutique creative company. As a director, her forte is slice of life storytelling and visual imagery. Like RedMaiden, she is a warrior in her own right--a two time cancer survivor (Hodgkins Lymphoma & Breast Cancer) her strength has been forged in life or death battles. Palmer’s personal experience adds a unique weight and substance that is reflected in her work where her willingness to expose and share her own story helps people give voice to their own personal human drama. Out of this comes Palmer’s natural sense of dialogue and performance and her ability to capture spontaneity through great casting choices and direction. Palmer’s directing style is emotional, visual storytelling, dialogue and kids with a touch of subtle, dry humor. Her growing body of work naturally attracts pharmaceutical and healthcare related projects as well as many others. Palmer believes strongly that mentoring and sharing information is essential to the growth of a creative economy. This blog was born out of that belief. Contact Palmer at palmer@redmaiden.tv
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